This artist uses nails, gold, plants, and flowers to capture the ‘aura of Blackness’
This Artist Uses Nails, Gold, Plants, and Flowers to Capture the ‘Aura of Blackness’
A Unique Blend of Art and Heritage
This artist uses nails gold plants – Alexis Peskine, a multidisciplinary visual artist based in Issy-les-Moulineaux, France, has built a practice that merges elements of nature, craftsmanship, and cultural symbolism. His work, often described as a visual symphony, features striking compositions of nails, gold leaf, and organic materials like wood, flowers, and leaves. These elements come together to form towering, three-dimensional representations of Black faces and bodies, evoking a sense of ancestral presence and spiritual resonance. His latest collection, Ouro Verde, translates to “green gold” in Portuguese and delves into the themes of traditional healing practices and African spiritual roots.
The Sounds of Creation
Upon approaching Peskine’s studio, one might first hear the rhythmic tapping of hammers against wood, a sound that echoes through the open windows. This auditory backdrop is often interrupted by the soft melodies of amapiano or Stevie Wonder’s soulful tunes. The studio’s atmosphere is infused with the scent of varnish, a byproduct of the materials he works with. For Peskine, the act of hammering thousands of nails into wood panels is both a physical and emotional labor, resulting in pieces that reflect the complexity of the African diaspora.
From Wood to Symbolism
Peskine’s creative process begins with wood naturally dyed using materials such as mud, coffee, leaves, or flowers. Each nail he embeds into the surface is strategically placed to create intricate patterns that mirror the contours of human faces and figures. The gold leaf, applied atop the nails, catches light in a way that mimics the texture of skin. This technique, which he has refined over two decades, digitally translates photographs of his subjects into dot patterns, akin to silk-screen printing but inverted to produce dark silhouettes with radiant dots.
His work transcends mere portraiture, aiming to evoke a collective identity. Peskine describes his creations as capturing an “aura of Africanness, of Blackness,” a concept rooted in the blending of ancestral traditions and contemporary expressions. The resulting sculptures, ranging from 4 to 8 feet in height, are not only visually arresting but also carry deep cultural significance, symbolizing resilience and beauty in the face of historical marginalization.
Roots in Brazil and France
Peskine’s heritage is as diverse as his art. His father hails from Franco-Russian Jewish lineage, while his mother is Afro-Brazilian, originating from Salvador de Bahia—a city renowned for its African cultural influence. With 80% of its population identifying as Black or mixed race, the region has shaped Peskine’s understanding of identity and belonging. As a former basketball player, he has also traveled extensively, visiting 33 African countries and aiming to document all 54 by the time he turns 54.
Growing up between regular trips to Brazil and experiences of discrimination in France, Peskine developed a profound connection to the African diaspora. His education at Howard University in the United States further deepened this perspective, as he immersed himself in the histories of Black art and culture. These formative influences have driven his mission to celebrate Blackness while challenging the pervasive effects of White Supremacy.
Spiritual Influences and Artistic Inspiration
Peskine’s technique draws from the Minkisi Nkondi, ancient wooden figurines crafted by the Kongo people in the 19th century. These objects, adorned with nails and other symbolic elements, were believed to offer spiritual protection to their owners. Though often dismissed or demonized by missionaries, they survived and were carried to the Americas, where they inspired Hollywood’s voodoo doll imagery. Peskine sees a parallel between these artifacts and his own work, using nails to create a similar sense of power and purpose.
The process of crafting his pieces involves meticulous planning, yet the final result often feels organic and dynamic. He explains, “The nails capture light; our bodies and faces are then shaped with sunlight.” This interplay of natural materials and human touch underscores his philosophy of blending tradition with innovation. His collaboration with an all-Black team of assistants further emphasizes his commitment to community and cultural preservation.
A Brush with Death
Despite his artistic triumphs, Peskine’s journey has not been without challenges. During an artist residency in Cameroon in April 2022, he contracted cerebral malaria. The illness went undetected until he returned to Europe, leading to a three-week hospitalization and a three-day coma. As he recounted to CNN, “I didn’t see a white light, but I woke up to the sound of samba music, as if people were playing in the next room.” This moment of near-death experience became a pivotal point in his life, reinforcing his desire to embrace Afro-Brazilian traditions.
The samba music he heard in his coma resonated with his roots, as it originated from the Bahia region in Brazil—his mother’s homeland. This genre, born from West and Central African drum rhythms brought during the transatlantic slave trade, has become a vital part of Peskine’s creative narrative. Inspired by this connection, he pursued initiation into Candomblé, an Afro-Brazilian religion that shares similar spiritual origins with samba and the Minkisi Nkondi.
Legacy and Future Visions
Peskine’s art is a testament to the enduring strength of African heritage. By integrating natural elements and spiritual symbolism, he transforms wood into a medium that speaks of history, identity, and resistance. His work invites viewers to see beyond the physical form, encouraging reflection on the deeper cultural and ancestral layers that shape Blackness. As he continues to explore new dimensions in his practice, Peskine remains dedicated to honoring the past while celebrating the present.
His journey is a story of perseverance and passion. From his early days in France to his global travels and encounters with both cultural pride and systemic challenges, Peskine has carved a path that bridges continents and generations. His upcoming projects promise to further expand this dialogue, ensuring that the “aura of Blackness” remains a central theme in his ever-evolving artistic vision.
“It’s more a pivot to go on celebrating us and being oblivious to White Supremacy,” said Peskine. “To see the beauty of our cultures, of our ancestral ways of healing.”
Through his art, Alexis Peskine not only preserves the essence of African traditions but also reimagines them for a modern audience. His creations stand as a powerful reminder of the resilience and creativity that define the Black experience, offering a visual celebration of a heritage that continues to inspire and endure.
